You cannot deconstruct unless you know how to construct. - Alexander McQueen

Lady in Concrete permalink

I had just read about the newly restored Hollyhock House when I did my afternoon gambol to style.com and read Tim Blanks mention it in his write-up on Rick Owens’ Fall 2015 collection. Am I reading the Internet’s mind, or is it reading mine? Or are we ONE???


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Rick Owens Fall 2015

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Frank Lloyd Wright’s Mayan Revival Hollyhock House in L.A.

On to other Fall 2015 memory game matches. So as soon as I saw Gareth Pugh’s show-closing Britannia…

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…my mind went here:

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Kevin O’Neill’s Britannia in latex from The League of Extraordinary Gentlemen Century: 2009

I would not have questioned it if this look from Marko Mitanovski’s latest was buried deep within Charles Fréger’s Wilder Mann photo stream:

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Marko Mitanovski Fall 2015, detail.

Wilder Mann, photos by Charles Fréger:


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Entanglement at John Rocha, Lagerfeld Channels Werther de Goethe, Medievalism, Moulded Hourglass Shapes and the Tie Stain for Fall 2011 permalink

Favorite looks for the F/W 2011-2012 season come from John Rocha, Junya Watanabe, Valentino, Mary Katrantzou, Thakoon and Alexander McQueen. Trends include Medievalism, moulded hourglass shapes, fuzzy skirts and oversized, misshapen coats. And the humble tie stain makes an appearance at Anne-Sofie Back.

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John Rocha Fall 2011

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The Lost Gareth Pugh Star Trek Episode and Other S/S 2011 Highlights permalink

The lost episode opens with Kirk, Spock and Bones beaming down to a retrofuturistic planet. Gareth Pugh has engineered a “progressive” race that lacks the ability to emote. “Everyone is perfect here”, says Kirk rhetorically, “too perfect“. A philosophical debate about human emotion breaks out in the background between Spock and Bones. Conveniently, the Gareth Pugh race has a dire conflict that can only be resolved with Kirk’s human emotions, revealing that the race isn’t so progressive after all. The show comes to a close with everyone back on the bridge of the Enterprise poking fun at Spock, the scene fading to black with a close-up of the captain’s grin.

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Exoskeletal for Spring/Summer 2011 at Gareth Pugh

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Gareth Pugh S/S 2011

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Punk Bene Gesserits and Biomega in Paris permalink

The Autumn/Winter 2010/11 shows at Paris Fashion Week come - for better or worse - leather bound. Also, “tribe” and “tribal” are words that often get tossed about in reference to this season’s collections. Sarah Mower of Style.com quoted Rick Owens as saying that his women are, ‘a sect of nuns with inner discipline’. Well, naturally I think Dune:

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Punk Bene Gesserits at the Rick Owens A/W 2010/11 show

All photos from Style.com

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Favorites from London Fashion Week permalink

Despite sifting through all manner of draped, sand colored (wet, dry, sparkling, etc.) clothes and getting stuck in a 80s revival hall of mirrors, there were a few shows that stood out at London Fashion Week. Gareth Pugh said his s/s 2007 collection was inspired by the 1985 fantasy film, “Legend”. It has been a while since I’ve seen the film, which was a favorite during childhood, but I’m at a loss recognizing anything of it in his clothes. Either he’s approaching it from the obliquest of all possible angles, or there are answers to be found in the Director’s Cut. Who knows. I see more of a Harlequin/Rubik’s Snake/Anime sort of vibe. Regardless of his interpretation of the movie, his show was future-perfect.

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Gareth Pugh s/s 2007 www.vogue.co.uk

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Progressive vs. Play-It-Safe? permalink

In fashion the right combination of instinct, skill and innovation shows true mastery of the craft. It is critical to be inspired by the past, but it is equally critical to invent. At the big shows there seems to be a line drawn between what is wearable and what is merely artistic gesture. Unfortunately this translates into looks that are sellable and looks that aren’t.

There is no need to belong exclusively to either the Gareth Pugh camp
Gareth Pugh a/w 2006-7
image: Gareth Pugh a/w 2006-7 www.style.com

…or the Monique Lhuillier camp.
Monique Lhuillier a/w 2006-7
image: Monique Lhuillier a/w 2006-7 www.style.com

The progressive or the play-it-safe.

Fashion is about the seamless blend of tradition and modernity. There are designers who tread the delicate line of being inspired by timeless elements and original conception. This is a testament to skill. I would argue that a good many Japanese designers tread this line gracefully. Examples include:

Tao Kurihara of Tao
Tao a/2 2006-7
image: Tao a/w 2006-7 www.style.com

Yohji Yamamoto
yohji yamamoto a/w 2006-7
image: Yohji Yamamoto a/w 2006-7 www.style.com

Mami Yoshida and Patrick Ryan of Yab-Yum
Yab-Yum a/w 2006-7
image: Yab-Yum a/w 2006-7 www.yab-yum.com

Tsumori Chisato
Tsumori Chisato a/w 2006-7
image: Tsumori Chisato a/w 2006-7 www.aufeminin.com

Jun Takahashi of Undercover
Undercover a/w 2005-6
image: Undercover a/w 2005-6 www.style.com

As much as I am obsessed with the talent coming out of Japan, the fusion of timelessness and modernity can also be found in the work of:

Miuccia Prada
Prada s/s 2006
image: Prada s/s 2006 www.style.com

Alexander McQueen
Alexander McQueen a/w 2004-5
image: Alexander McQueen a/w 2004-5 www.style.com

Sabyasachi Mukherjee
(look for Sabyasachi at Olympus Fashion Week
in New York next season!)
Sabyasachi Mukherjee snail collection 2006
image: Sabyasachi Mukherjee, the snail collection 2006 www.specials.rediff.com

Nicholas Ghesquiere of Balenciaga
Balenciaga a/w 2006-7
image: Balenciaga a/w 2006-7 www.style.com

Alber Elbaz of Lanvin
Lanvin s/s 2005
image: Lanvin s/s 2005 www.vogue.co.uk

bruno Pieters
bruno Pieters a/w 2006-7
image: bruno Pieters a/w 2006-7 www.vogue.co.uk

Alexandre Herchcovitch
Alexandre Herchcovitch a/w 2006-7
image: Alexandre Herchcovitch a/w 2006-7 www.style.com

Viktor & Rolf
Viktor & Rolf a/w 2006-7
image: Viktor & Rolf a/w 2006-7 www.style.com

Sandra Backlund
(Her work is so inspirational I’m posting two images.
For more see link below.)
Sandra Backlund perfect hurts
image: Sandra Backlund, perfect hurts collection www.sandrabacklund.com

Sandra Backlund body, skin and hair collection
image: Sandra Backlund, body, skin and hair collection www.sandrabacklund.com

Fashion needs its visionaries, even if there seems to be little tolerance in the industry for them at the moment. Jum Nakao and Gareth Pugh are visionaries. An example of Jum Nakao’s work:
Jum Nakao s/s 2005
image: Jum Nakao s/s 2005 www.dailytimes.com.pk

The extent of their “vision” or “progressiveness” is a matter of eventuality. In other words, the measure of modernity in their designs – if not already clear - will become clear when imitations or watered-down versions emerge either on future runways or on the street. I believe this is what’s meant by Cathy Horyn’s comment in reference to John Galliano: “The modernity of Mr. Galliano’s torn-apart approach was eventually borne out in the imitations.” (www.nytimes.com May 21, 2006)