You cannot deconstruct unless you know how to construct. - Alexander McQueen

archive for August, 2013

Gun, with Occasional Nick Cave

Tuesday, August 27th, 2013

Most of us will agree that getting a song stuck in your head is annoying at best. The one currently on mental replay for me is “Red Right Hand” off of Nick Cave and the Bad Seeds’ 1994 album, Let Love In. This is made tolerable by, a) serving as mood music for Jonathan Lethem’s Gun, with Occasional Music, which I’m only now getting around to reading (this should serve as a department heading as it is a constant state of affairs around here); and b) it’s simply a fantastic song:

“Red Right Hand” has set the mood for a variety of movies and tv shows, including Hellboy and The X-Files. Recently it has resurfaced as the theme tune for Jack Irish, a very enjoyable Australian noir tv series adapted from the novels by Peter Temple and starring Guy Pearce.

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Creating, the Cave way. An insert from Nick Cave and the Bad Seeds’ 1994 album, Let Love In

I’ll reserve final judgment on Lethem’s Gun since I’m not done, but with the airtight noir narration, snorting lines of make, babyheads and an evolved kangaroo tough it’s a pretty fun read so far. Apparently, the babyheads are inspired by children in the Strugatsky brothers’ The Ugly Swans, which is waiting patiently on the bookshelf to be filed under, “Only Now Getting Around To Reading It”.

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Jonathan Lethem’s Gun, with Occasional Music, 1994.

Fabrice Monteiro’s Signares

Thursday, August 15th, 2013

On show at Seattle’s M.I.A Gallery through August 30th is Signares and Hereros, portraits shot by Fabrice Monteiro and Jim Naughten. While Naughten’s photos might be more recognizable, Monteiro’s are no less enchanting. The subjects of the model-turned-photographer’s first exhibit in the U.S. are descendants of the signares of Senegal’s Petite Côte, south of Dakar (where he lives and works). On what a signare is, exactly, the gallery’s site says, “These women of power from Senegal were the official wives of European colonizers…Celebrated for their beauty and business mind, they played an important role in the socio-economic development of Senegal.” And so this heritage is communicated through dress:

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Unrelated work from Monteiro below. I can’t resist, they’re so good:

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Untitled

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“Croquemitaine”