Progressive vs. Play-It-Safe?
In fashion the right combination of instinct, skill and innovation shows true mastery of the craft. It is critical to be inspired by the past, but it is equally critical to invent. At the big shows there seems to be a line drawn between what is wearable and what is merely artistic gesture. Unfortunately this translates into looks that are sellable and looks that aren’t.
There is no need to belong exclusively to either the Gareth Pugh camp
image: Gareth Pugh a/w 2006-7 www.style.com
…or the Monique Lhuillier camp.
image: Monique Lhuillier a/w 2006-7 www.style.com
The progressive or the play-it-safe.
Fashion is about the seamless blend of tradition and modernity. There are designers who tread the delicate line of being inspired by timeless elements and original conception. This is a testament to skill. I would argue that a good many Japanese designers tread this line gracefully. Examples include:
Tao Kurihara of Tao
image: Tao a/w 2006-7 www.style.com
Yohji Yamamoto
image: Yohji Yamamoto a/w 2006-7 www.style.com
Mami Yoshida and Patrick Ryan of Yab-Yum
image: Yab-Yum a/w 2006-7 www.yab-yum.com
Tsumori Chisato
image: Tsumori Chisato a/w 2006-7 www.aufeminin.com
Jun Takahashi of Undercover
image: Undercover a/w 2005-6 www.style.com
As much as I am obsessed with the talent coming out of Japan, the fusion of timelessness and modernity can also be found in the work of:
Miuccia Prada
image: Prada s/s 2006 www.style.com
Alexander McQueen
image: Alexander McQueen a/w 2004-5 www.style.com
Sabyasachi Mukherjee
(look for Sabyasachi at Olympus Fashion Week
in New York next season!)
image: Sabyasachi Mukherjee, the snail collection 2006 www.specials.rediff.com
Nicholas Ghesquiere of Balenciaga
image: Balenciaga a/w 2006-7 www.style.com
Alber Elbaz of Lanvin
image: Lanvin s/s 2005 www.vogue.co.uk
bruno Pieters
image: bruno Pieters a/w 2006-7 www.vogue.co.uk
Alexandre Herchcovitch
image: Alexandre Herchcovitch a/w 2006-7 www.style.com
Viktor & Rolf
image: Viktor & Rolf a/w 2006-7 www.style.com
Sandra Backlund
(Her work is so inspirational I’m posting two images.
For more see link below.)
image: Sandra Backlund, perfect hurts collection www.sandrabacklund.com
image: Sandra Backlund, body, skin and hair collection www.sandrabacklund.com
Fashion needs its visionaries, even if there seems to be little tolerance in the industry for them at the moment. Jum Nakao and Gareth Pugh are visionaries. An example of Jum Nakao’s work:
image: Jum Nakao s/s 2005 www.dailytimes.com.pk
The extent of their “vision†or “progressiveness†is a matter of eventuality. In other words, the measure of modernity in their designs – if not already clear - will become clear when imitations or watered-down versions emerge either on future runways or on the street. I believe this is what’s meant by Cathy Horyn’s comment in reference to John Galliano: “The modernity of Mr. Galliano’s torn-apart approach was eventually borne out in the imitations.†(www.nytimes.com May 21, 2006)
June 10th, 2006 at 1:49 pm
Excellent post. The Pugh and Nakao images bring to mind the work of Jared Gold, the only designer I know of from Idaho (we used to promote raves together in the early 90s).
June 10th, 2006 at 9:51 pm
I think you should post some of of your recent creations, particularly the pants with knitted calves, that, having personally seen them, appear to have been inspired by Sandra Backlund.
June 14th, 2006 at 2:14 am
Shawn,
Thanks!! There are so many talented designers out there that are undiscovered. More often than not, they are seldom known outside their locale. Maybe they choose this course. Or maybe it’s lack of good PR.
This is an obvious statment, but nowadays PR is almost more important than talent when it comes to making the $$ in fashion (as in all else, right?). Or at least it’s equally important. There are many designers out there that have a grossly efficient PR machine accompanied by little talent. More on that later.